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Love Your Saws with Matthew Cianci


 
 

Joseph Smith’s Carcase Saw

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The last two weeks have been a bit of a blur (I was sick), but somewhere in the mix I managed to finally finish my carcase saw based on Joseph Smith’s ‘Key to the Manufactories of Sheffield’, a work I have obsessed over for years thanks to its images of early 19th century handsaws.

The moment the wax was dry on the tote, I started grabbing anything and everything in my shop to try out the cut….scrap wood, electrical cords, small animals, even a vagrant that likes to hang out in my neighborhood and wanders into my shop occasionally….they all went under the teeth of my new saw to test its metal. And what fun I had!!!

 

 

Matthew Cianci

This saw is simply amazing. The balance, the hang of the tote, the cut of the sash filed teeth (10 degrees of rake, 10 degrees of fleam, 14 ppi)… everything about this saw is perfect. This saw makes me want to sell every other backsaw in my shop and finally commit to saw monogamy.

That’s right…. no more scurrying around hotel parking lots in the wee hours. No more hiding ATM receipts and credit card charges from my wife. And no more elaborate measures to cover up internet evidence of infidelity… I’ve finally found the perfect partner. And I owe it all to Joseph Smith.

If I were a saw maker, this is the saw I would build and put into the hands of every person crazy enough to buy one.

Perhaps the most striking thing about this saw is the tapering… both of the saw plate (meaning the cant) and of the brass back. In one of my previous posts about this project, Peddar (of Two Lawyers Toolworks) was astute enough to point out that not only the saw plate is tapered, but the back too.

How strange that in all the years of staring at the image of this saw that I never noticed the taper on the back. I think I was so struck by the extreme cant of the plate that I overlooked the back. As soon as Peddar mentioned it, I smacked my self in the head and spent the following few hours cutting, filing, sanding, polishing and getting the taper of the back perfect.

And what a difference! The reduction in weight is astounding and the balance of the saw is amazing….it has the mass in all the right spots and none of that toe-heaviness that makes backsaws so awkward to start. Simply awesome.

As I was busy crosscutting and ripping everything in my house to shreds, I was amazed at how refined I found the saw to be in use. I think we often make the mistake in thinking that something 200 years old has to be antiquated, or primitive, but quite the opposite seems to be true with the design of this saw.

All of the lines and functional elements of this saw are completely harmonized and practical. I think this style of saw may have been the peak of backsaw evolution, and the tools that became common in the American saw boom were de-evolved and watered down copies of tools that were once perfect.


 
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